Collection of articles of private theater seminar in Iran
Collection of articles of private theater seminar in Iran
Thanks to the efforts of Mehrdad Rayani
Obstacles and solutions for theater privatization
(based on the empirical investigation of the Boomerang theater workshop)
Reza Mikaelzadeh
On the occasion of holding a private theater seminar in Iran
29 and 30 January and February 2017
If we ignore the events that happen to us, who is to blame?
I am an economic painter. An economic painter is a person who joins a productive group by knowing the beliefs, values and behaviors of the society around him and makes the way to achieve their dreams. Because all the disadvantages of the theater economy are the scars that have been on my body during the past five years and the beautiful souvenirs that I carry with me from the theater of my country, I will talk about the sweet lessons that are on the path of all those It will be seen that they want to move in this direction
I emphasize, the things that are recounted are not only presuppositions or theories, but the experiences that my friends and I have endured to bring the Boomerang Theater workshop to an economic enterprise.
Boomerang is a child in which we gathered the essence of our experiences and today we leave it as a memory for the country’s theater.
If you want to know about the only economic enterprise in the country that is active in the field of theater, how after five years it was able to create an economic movement with a turnover of 6000000000 Rials per year and the cooperation of 70 artists and 7 administrative personnel, you can The necessary information from the site
Get www.boomerangtheater.ir.
In the proposed article, only three basic and fundamental points of the existing obstacles are raised and in the following, executive solutions are suggested.
The economic view of artists The biggest issue on the way to privatization is the category of artists’ own view of the economy in theater. Artists are always afraid of those who have an economic character due to the wrong historical record that their personal experiences and the definitions of non-professionals have created in their minds. Some of this fear is because they have underestimated themselves and feel that a person who is familiar with economics can exploit them.This fundamental fear has made the space for doing this action on behalf of profit-seeking people, if the economy and the use of its tools are designed in line with human profit. With this historical mindset, approaching artists, especially theater artists, seems quite difficult, but our will was based on this, and we decided to remove this big obstacle from the way with trust-building tools.
The scope of the work field (from the point of view of artists)
The existing belief of the artists is that the work space is a limited space and they must always keep the satisfaction of a few in order to be able to work. One of the consequences of this type of view is emptying the feet of the colleagues, which makes the group of artists from If each group’s field of activity is clarified and the space is open for promotion and growth instead of destruction, companionship will happen The biggest obstacle to this movement is the cultural obstacle, and the biggest cultural solution is to create a working personality for artists. I asked this question many times and heard this answer many times.
What do you do if a certain sponsor wants you to include such and such work in your work? And the artist answered, I do what I want and I don’t do the work of the sponsor. Why is there such a response
It is necessary to explain that when a director is waiting for the box office sales for his livelihood, he has involuntarily agreed to sell his art, and this principle means that the artist has accepted that his job is art, and in this regard, he must accept that considering Getting and implementing the opinions of a sponsor can be a great help in reaching his career goals, and he is the one who artfully moves sponsors towards his goals.?
One of the solutions to remove the obstacles is to create an artistic career and its culture.
The society does not consider the artist as the owner of a job, because the artist herself does not believe that she is employed, so the society is innocent.
The way the government communicates with artists
During the past years, the government has believed that artists are not capable of doing economic work, so they have taken the helm of the economy in their own hands, and the interesting thing is that artists are satisfied with this category with all their shortcomings. If the government presented a calculated and acceptable economic trend, maybe this dependence would be understandable, but now?! Unfortunately, artists do not have a favorable economic outlook.
Solutions
Economics is a science that man, like all works of art, created to provide his sense of comfort, so by knowing it better, we should have a new approach to this category.
Creating rules is one of the solutions to remove the obstacles, which should be clarified by defining its headings.
– The principle of group thinking is the most important factor of progress, which should always be strengthened by the people involved in an economic enterprise.
– The principle of creating a positive view of economic movements is as effective as group thinking in moving a system forward.
– On the way to reach a desirable private economic cycle, first the occupational identity of performance groups should be defined as an economic organization. One of the needs of different groups is to have an office so that they can organize their activities there. With a job identity, this will be possible and the government can help in this regard.
– The government has large capitals to start the economy, which can provide assistance to the groups according to their executive ability so that they can grow gradually. The government’s aid in various fields shows that these aids act as a double-edged sword, i.e., in addition to promoting an activity, they can also destroy the least executive power. So, you should be very careful in doing this and look at the matter expertly.
– Groups should train special audiences for their shows and keep them under control. – The factory of every theater group is its theater. So, one of the ways to reach a private theater is the possibility of having a hall for one or more theater groups
– The economic movement of each group should be defined based on sponsorship and box office so that each of these two processes can strengthen each other
Beliefs that helped us achieve our economic goals include
– We are the best, so we have to prove it first to ourselves and then to the world:..
We can never achieve our goals with European methods. I will compare it with two simple examples:
Our agriculture relies on irrigation and European agriculture relies on being dry. Good weather from the eyes of Iranians is rainy weather and good weather from the eyes of Europeans is cloudy weather. Our food is different from them and the air we breathe is also different. So we are different from them.
Creating an economic cycle is the most necessary point, the details of which are beyond the scope of this speech If we ignore the things that happen to us, who is to blame? I am an economic painter. An economic painter is a person who joins a productive group by knowing the beliefs and values of the people around him and makes the way to achieve their dreams.
Because all the disadvantages of the theater economy are the wounds that have been on my body for the past five years and the beautiful memories that I carry with me from the theater of my country, I will talk about sweet lessons that will help all those who want to in this direction. will be seen to move.
I emphasize, the things that are recounted are not only presuppositions or theories, but the experiences that my friends and I have endured to bring the Boomerang theater workshop to an economic enterprise. Boomerang is a child in which we gathered the extract of our experiences and we leave it as a memory for the country’s theater today.
If you want to know about the only economic enterprise of the country that is active in the field of theater, how after five years it was able to create an economic movement with a turnover of 6000000000 Rials per year and the cooperation of 70 artists and 7 administrative personnel, you can find the necessary information. Get it from www.boomerangtheater.ir.
In the proposed article, only three basic and fundamental points of the existing obstacles are raised, and in the following, implementation methods are suggested.
The economic view of artists is the biggest problem in the way of privatization, the view of the artists themselves towards the economy in the theater.
Artists are always afraid of those who have an economic character because of the wrong historical record that their personal experiences and definitions of non-professionals have created in their minds. Some of this fear is because they underestimate themselves and feel that they are an individual. who is familiar with economics, can exploit them
This fundamental fear has paved the way for profit-seeking people to perform this act, while the economy and the use of its tools are designed for human profit. With this historical mentality, it seems quite difficult to approach artists, especially theater artists, but our will was based on this and we decided to remove this big obstacle from the way with trust-building tools.
The breadth of the work field (from the point of view of artists) The existing belief of artists is that the work space is a limited space and they must always keep the satisfaction of the few in order to be able to work. One of the consequences of this type of view is emptying the foundation. It is makaran that causes the group of artists to move further and further away from each other
If each group’s field of activity is clarified and the space is open for promotion and growth instead of destruction, cooperation will happen. The biggest obstacle to this movement is the cultural obstacle, and the biggest cultural solution is to create a working personality for artists
I asked this question many times and heard this answer many times: If a certain sponsor wants you to include such and such work in your work, what will you do? And the artist answered, I do what I want and I don’t do the work of the sponsor. Why is there such an answer?.
I would like to explain that when a director is waiting for box office sales for his livelihood, he has involuntarily agreed to sell his art, and this principle means that the artist has accepted that his job is art, and in this regard, he must accept that considering Getting and implementing the opinions of a sponsor can be a great help in reaching his career goals, and he is the one who artfully moves sponsors towards his goals.
One of the ways to remove the obstacles is to create an artistic career and its culture. The society does not consider the artist to have a job, because the artist himself does not believe that he is employed, so the society is innocent.
The government’s way of communicating with artists over the past years, the government has believed that artists are not capable of doing economic work, so they have taken the helm of the economy in their own hands, and it is here that artists are satisfied with this category with all their shortcomings. If the government presented a calculated and acceptable economic trend, maybe this dependence would be understandable, but now?! Unfortunately, artists do not have favorable economic beliefs. Solutions Economics is a science that man, like all works of art, created to provide his sense of comfort, so by knowing it better, we should have a new approach to this category.
Creating laws is one of the solutions to remove the obstacles, which should be explained by identifying the chapters of the chapter. The principle of creating a positive view of economic movements is as effective as group thinking in moving a system forward. – On the way to reach a favorable private economic cycle, first the occupational identity of performance groups should be defined as an economic organization. One of the needs of various groups is to have an office so that they can organize their activities there. This will be possible and the government can help in this regard
– The government has large funds at its disposal to start the economy, which can provide assistance to the groups according to their executive ability so that they can grow gradually. The government’s aid in various fields shows that these aids are double-edged, that is, in addition to promoting an activity, they can also destroy the least effective ability, so one must be very careful in doing this. And expertly looked at the issue.
Creating laws is one of the solutions to remove the obstacles, which should be clarified by identifying the chapters of the chapter. The principle of creating a positive view of economic movements is as effective as group thinking in moving a system forward. – On the way to a favorable private economic cycle First, the occupational identity of performance groups should be defined as an economic organization. One of the needs of different groups is to have an office so that they can organize their activities there. With occupational identity, this will be possible and the government can in this to provide useful assistance- The groups train special audiences for Hud shows and keep them under control.
– The factory of every theater group is its theater. So, one of the ways to reach a private theater is the possibility of having a hall for one or more theater groups. – The economic movement of each group should be defined on the basis of sponsorship and box office so that each of these two processes can strengthen each other.
The beliefs that helped us achieve our economic goals are: – We are the best, so we must prove it to ourselves first and then to the world.
– We can never achieve our goals with European methods. I compare it with D and for example: our agriculture depends on the European agriculture, which relies on being semi-arid. Good weather from the eyes of Iranians is rainy weather and good weather from the eyes of Europeans is cloudy weather. Our food is different from them and the air we breathe is also different. So we are different from them.
Creating an economic cycle is the most necessary point, the details of which do not fit within the scope of this speech
Collection of articles of private theater seminar in Iran
Thanks to the efforts of Mehrdad Rayani
Obstacles and solutions for theater privatization
(based on the empirical investigation of the Boomerang theater workshop)
Reza Mikaelzadeh
On the occasion of holding a private theater seminar in Iran
29 and 30 January and February 2017
If we ignore the events that happen to us, who is to blame?
I am an economic painter. An economic painter is a person who joins a productive group by knowing the beliefs, values and behaviors of the society around him and makes the way to achieve their dreams. Because all the disadvantages of the theater economy are the scars that have been on my body during the past five years and the beautiful souvenirs that I carry with me from the theater of my country, I will talk about the sweet lessons that are on the path of all those It will be seen that they want to move in this direction
I emphasize, the things that are recounted are not only presuppositions or theories, but the experiences that my friends and I have endured to bring the Boomerang Theater workshop to an economic enterprise.
Boomerang is a child in which we gathered the essence of our experiences and today we leave it as a memory for the country’s theater.
If you want to know about the only economic enterprise in the country that is active in the field of theater, how after five years it was able to create an economic movement with a turnover of 6000000000 Rials per year and the cooperation of 70 artists and 7 administrative personnel, you can The necessary information from the site
Get www.boomerangtheater.ir.
In the proposed article, only three basic and fundamental points of the existing obstacles are raised and in the following, executive solutions are suggested.
The economic view of artists The biggest issue on the way to privatization is the category of artists’ own view of the economy in theater. Artists are always afraid of those who have an economic character due to the wrong historical record that their personal experiences and the definitions of non-professionals have created in their minds. Some of this fear is because they have underestimated themselves and feel that a person who is familiar with economics can exploit them.This fundamental fear has made the space for doing this action on behalf of profit-seeking people, if the economy and the use of its tools are designed in line with human profit. With this historical mindset, approaching artists, especially theater artists, seems quite difficult, but our will was based on this, and we decided to remove this big obstacle from the way with trust-building tools.
The scope of the work field (from the point of view of artists)
The existing belief of the artists is that the work space is a limited space and they must always keep the satisfaction of a few in order to be able to work. One of the consequences of this type of view is emptying the feet of the colleagues, which makes the group of artists from If each group’s field of activity is clarified and the space is open for promotion and growth instead of destruction, companionship will happen The biggest obstacle to this movement is the cultural obstacle, and the biggest cultural solution is to create a working personality for artists. I asked this question many times and heard this answer many times.
What do you do if a certain sponsor wants you to include such and such work in your work? And the artist answered, I do what I want and I don’t do the work of the sponsor. Why is there such a response
It is necessary to explain that when a director is waiting for the box office sales for his livelihood, he has involuntarily agreed to sell his art, and this principle means that the artist has accepted that his job is art, and in this regard, he must accept that considering Getting and implementing the opinions of a sponsor can be a great help in reaching his career goals, and he is the one who artfully moves sponsors towards his goals.?
One of the solutions to remove the obstacles is to create an artistic career and its culture.
The society does not consider the artist as the owner of a job, because the artist herself does not believe that she is employed, so the society is innocent.
The way the government communicates with artists
During the past years, the government has believed that artists are not capable of doing economic work, so they have taken the helm of the economy in their own hands, and the interesting thing is that artists are satisfied with this category with all their shortcomings. If the government presented a calculated and acceptable economic trend, maybe this dependence would be understandable, but now?! Unfortunately, artists do not have a favorable economic outlook.
Solutions
Economics is a science that man, like all works of art, created to provide his sense of comfort, so by knowing it better, we should have a new approach to this category.
Creating rules is one of the solutions to remove the obstacles, which should be clarified by defining its headings.
– The principle of group thinking is the most important factor of progress, which should always be strengthened by the people involved in an economic enterprise.
– The principle of creating a positive view of economic movements is as effective as group thinking in moving a system forward.
– On the way to reach a desirable private economic cycle, first the occupational identity of performance groups should be defined as an economic organization. One of the needs of different groups is to have an office so that they can organize their activities there. With a job identity, this will be possible and the government can help in this regard.
– The government has large capitals to start the economy, which can provide assistance to the groups according to their executive ability so that they can grow gradually. The government’s aid in various fields shows that these aids act as a double-edged sword, i.e., in addition to promoting an activity, they can also destroy the least executive power. So, you should be very careful in doing this and look at the matter expertly.
– Groups should train special audiences for their shows and keep them under control. – The factory of every theater group is its theater. So, one of the ways to reach a private theater is the possibility of having a hall for one or more theater groups
– The economic movement of each group should be defined based on sponsorship and box office so that each of these two processes can strengthen each other
Beliefs that helped us achieve our economic goals include
– We are the best, so we have to prove it first to ourselves and then to the world:..
We can never achieve our goals with European methods. I will compare it with two simple examples:
Our agriculture relies on irrigation and European agriculture relies on being dry. Good weather from the eyes of Iranians is rainy weather and good weather from the eyes of Europeans is cloudy weather. Our food is different from them and the air we breathe is also different. So we are different from them.
Creating an economic cycle is the most necessary point, the details of which are beyond the scope of this speech If we ignore the things that happen to us, who is to blame? I am an economic painter. An economic painter is a person who joins a productive group by knowing the beliefs and values of the people around him and makes the way to achieve their dreams.
Because all the disadvantages of the theater economy are the wounds that have been on my body for the past five years and the beautiful memories that I carry with me from the theater of my country, I will talk about sweet lessons that will help all those who want to in this direction. will be seen to move.
I emphasize, the things that are recounted are not only presuppositions or theories, but the experiences that my friends and I have endured to bring the Boomerang theater workshop to an economic enterprise. Boomerang is a child in which we gathered the extract of our experiences and we leave it as a memory for the country’s theater today.
If you want to know about the only economic enterprise of the country that is active in the field of theater, how after five years it was able to create an economic movement with a turnover of 6000000000 Rials per year and the cooperation of 70 artists and 7 administrative personnel, you can find the necessary information. Get it from www.boomerangtheater.ir.
In the proposed article, only three basic and fundamental points of the existing obstacles are raised, and in the following, implementation methods are suggested.
The economic view of artists is the biggest problem in the way of privatization, the view of the artists themselves towards the economy in the theater.
Artists are always afraid of those who have an economic character because of the wrong historical record that their personal experiences and definitions of non-professionals have created in their minds. Some of this fear is because they underestimate themselves and feel that they are an individual. who is familiar with economics, can exploit them
This fundamental fear has paved the way for profit-seeking people to perform this act, while the economy and the use of its tools are designed for human profit. With this historical mentality, it seems quite difficult to approach artists, especially theater artists, but our will was based on this and we decided to remove this big obstacle from the way with trust-building tools.
The breadth of the work field (from the point of view of artists) The existing belief of artists is that the work space is a limited space and they must always keep the satisfaction of the few in order to be able to work. One of the consequences of this type of view is emptying the foundation. It is makaran that causes the group of artists to move further and further away from each other
If each group’s field of activity is clarified and the space is open for promotion and growth instead of destruction, cooperation will happen. The biggest obstacle to this movement is the cultural obstacle, and the biggest cultural solution is to create a working personality for artists
I asked this question many times and heard this answer many times: If a certain sponsor wants you to include such and such work in your work, what will you do? And the artist answered, I do what I want and I don’t do the work of the sponsor. Why is there such an answer?.
I would like to explain that when a director is waiting for box office sales for his livelihood, he has involuntarily agreed to sell his art, and this principle means that the artist has accepted that his job is art, and in this regard, he must accept that considering Getting and implementing the opinions of a sponsor can be a great help in reaching his career goals, and he is the one who artfully moves sponsors towards his goals.
One of the ways to remove the obstacles is to create an artistic career and its culture. The society does not consider the artist to have a job, because the artist himself does not believe that he is employed, so the society is innocent.
The government’s way of communicating with artists over the past years, the government has believed that artists are not capable of doing economic work, so they have taken the helm of the economy in their own hands, and it is here that artists are satisfied with this category with all their shortcomings. If the government presented a calculated and acceptable economic trend, maybe this dependence would be understandable, but now?! Unfortunately, artists do not have favorable economic beliefs. Solutions Economics is a science that man, like all works of art, created to provide his sense of comfort, so by knowing it better, we should have a new approach to this category.
Creating laws is one of the solutions to remove the obstacles, which should be explained by identifying the chapters of the chapter. The principle of creating a positive view of economic movements is as effective as group thinking in moving a system forward. – On the way to reach a favorable private economic cycle, first the occupational identity of performance groups should be defined as an economic organization. One of the needs of various groups is to have an office so that they can organize their activities there. This will be possible and the government can help in this regard
– The government has large funds at its disposal to start the economy, which can provide assistance to the groups according to their executive ability so that they can grow gradually. The government’s aid in various fields shows that these aids are double-edged, that is, in addition to promoting an activity, they can also destroy the least effective ability, so one must be very careful in doing this. And expertly looked at the issue.
Creating laws is one of the solutions to remove the obstacles, which should be clarified by identifying the chapters of the chapter. The principle of creating a positive view of economic movements is as effective as group thinking in moving a system forward. – On the way to a favorable private economic cycle First, the occupational identity of performance groups should be defined as an economic organization. One of the needs of different groups is to have an office so that they can organize their activities there. With occupational identity, this will be possible and the government can in this to provide useful assistance- The groups train special audiences for Hud shows and keep them under control.
– The factory of every theater group is its theater. So, one of the ways to reach a private theater is the possibility of having a hall for one or more theater groups. – The economic movement of each group should be defined on the basis of sponsorship and box office so that each of these two processes can strengthen each other.
The beliefs that helped us achieve our economic goals are: – We are the best, so we must prove it to ourselves first and then to the world.
– We can never achieve our goals with European methods. I compare it with D and for example: our agriculture depends on the European agriculture, which relies on being semi-arid. Good weather from the eyes of Iranians is rainy weather and good weather from the eyes of Europeans is cloudy weather. Our food is different from them and the air we breathe is also different. So we are different from them.
Creating an economic cycle is the most necessary point, the details of which do not fit within the scope of this speech